Saturday, February 22, 2014

The Monkey's Marginalia, No 9

These posts are about the various and sundry ideas, items and wagtails that are too short for their own blog post.

1.  The so aptly named Mississippi Muse commented recently on two of my blog posts and had some great insights.  Plus she is absolutely right that I should have included Gertrude Stein in the list of Lost Generation writers.  Her comments are below:
This maybe far fetched, but I think it is relevant. I know there are references to Hemingway early in the text. & the themes of being, "Lost", multiple characters, and this concept of "palimpsest" both pertaining to relationships and land/archaeology "histories of a place" reminds me of a quote Hemingway made about "The Sun Also Rises" (which bears the epigraph: "You are a lost Generation" --- Gertrude Stein) to his editor, Max Perkins that the "point of the book" was not so much about a generation being lost, but that "the earth abideth forever"; he believed the characters in The Sun Also Rises may have been "battered" but were not lost." Here is the Bible verse, Ecclesiastes 1:2-11 NKJV: Which has relevance and many themes pertaining to S. Verse 7. Which is similar to the quote: "What begins at the water shall end at there and what ends there shall once more begin" ..." & from the Book Trailer http://www.youtube.com/watch?v=FWaAZCaQXdo) " This is what happens when men are "LOST", Men are erased & reborn."
Ecclesiastes 1:2-11 NKJV
"Vanity of vanities," says the Preacher; "Vanity of vanities, all is vanity." 3 What profit has a man from all his labor In which he toils under the sun? 4 One generation passes away, and another generation comes; But the earth abides forever. 5 The sun also rises, and the sun goes down, And hastens to the place where it arose. 6 The wind goes toward the south, And turns around to the north; The wind whirls about continually, And comes again on its circuit. 7 All the rivers run into the sea, Yet the sea is not full; To the place from which the rivers come, There they return again. 8 All things are full of labor; Man cannot express it. The eye is not satisfied with seeing, Nor the ear filled with hearing. 9 That which has been is what will be, That which is done is what will be done, And there is nothing new under the sun. 10 Is there anything of which it may be said, "See, this is new"? It has already been in ancient times before us. 11 There is no remembrance of former things, Nor will there be any remembrance of things that are to come By those who will come after."
2.  In my last post, I mentioned the literary genre bildungsroman.  Goethe, who is considered the originator of this genre with his book, Wilhelm Meister's Apprenticeship,incorporated a secret society into this work.  More to come on this one perhaps, but I have some reading to do.  I have added it to the list.

3.  The Desjardins letter. I'll admit I totally misread the forward to Ship of Theseus and for a few days was geeking out over the fact there were 20 Straka books before I realized my mistake.  Doh!  Back to the Desjardins letter: totally disgusted and a bit discouraged I started going back through the book.  And I think there are a couple of scenarios that fit for the letter.  Remember in the marginalia, Eric states that he thought Desjardins' english was pretty good but maybe it was worse than he remembers (page 87) and later that Desjardins had written a paper in 1982 stating that Straka may not have been as fluent in languages as had been thought and needed someone to help clean up his work (page x).
  • The letter was written by Desjardins, but is a form of constrained writing. Constrained writing is an encoded letter in which the true message is hidden within a seemingly harmless text. 
  • The letter was written by Straka or someone with a less than fluent grasp of English and was NOT written by Desjardins.  
  • The letter was written by Straka and is also a form of contrained writing.  
If it is constrained writing, I haven't figured it out yet. 

4.  Nabokov, like many other authors, did use pseudonyms.  One of these was "Sirin."  Which bears a striking resemblance the Serin Group mentioned in the marginalia. 

5.  I have discovered there is an unpublished and fragementary autobiography by the anarchist, devout Christian and King of the Hobos, Ben Reitman.  The name of the work?  Following the Monkey

(8/17/14, edited for grammar/clarity and tags added)

Monday, February 17, 2014

A Different Kind of Burden Shirt

I've been thinking for awhile now that the Belastunghemd (or burden shirt from Fn 5, pg 52) might be related to a couple of things.  In doing some research on types of fiction, sometimes references are only a close approximation to the object, idea or person being referenced. The specific example I found came from an academic paper (about Finnegans Wake), but unfortunately I can't find it again.  I have found a list of references to two characters in Finnegans Wake here to give you an idea.

To give you another example, I can create one using James Joyce, author of Finnegans Wake and Ulysses.  In Gaelic, his surname would be Seoighe (shoy).  Suppose somehow he is connected to archery, whether it be through word play or the sport.  Archer in gaelic is saighdeoir (sijue, long i).  The two words somewhat resemble each other but different enough that only someone who understands the connection that I am making would get it.  I suspect that there are these kinds of connections in S. that need to be found, too.

Back to the burden-shirt.  Mystimus and Geekyzen have talked about its possible connection to the shirt of Nessus. When I first came across the term, the first thought that came to my mind was the hair shirt worn by Thomas Becket, who was famously matyred when still wearing his (you can blame my high school literature teacher for this one), and the mystery plays of the middle ages.

The hair shirt or cilice, is an object worn by the faithful as an act of penitence or atonement; or as a way to assume some of the suffering of Christ.  The whole point of the garment is to make the wearer uncomfortable and/or to cause pain.  Although mostly associated with the Christian faith since biblical times, the practice has been traced to prehistoric cultures; the practice in Christianity comes from the biblical tradition of wearing sackcloth and ashes during mouring and debasement.  Related to this is the biblical tradition of rending one's clothes to expose a broken heart.  More recently, the hair shirt metaphor was applied to one of the Lost Generation writers; Virginia Woolf compared T. S. Eliot's wife, Vivienne, to "a bag of ferrets" worn around his neck.  It might also be that the burden shirt is a reference to five mourners; or to five sinners who need to atone for their sins.

It makes sense then that the play Belastunghemd performed by children is a morality play that takes place on Ash Wednesday.  Medieval European religious festivities at some point evolved into the formal dramas called mystery plays, using content taken directly from the bible.  They were sometimes performed around important holidays. Later, as mystery plays fell out of favor, morality plays became the form of entertainment popular in the 15th and 16th centuries.  Sometimes containing a moral or sometimes not, morality plays, often called interludes, were allegories in which the protagonist is encouraged to choose a Godly life through interactions with virtues shown in human form.

Using the same loose logic that I connected Joyce to the archer, I think Belastunghemd may also be a reference the literary genre bildungsroman, that originated in Germany in the 18th century from Goethe.  Goethe, who is probably most famous for his Faust (which also contains allegory), is credited for writing the first coming of age novel.  The term comes from the german meaning "novel of formation/education/culture"  Bildungsroman "is a literary genre that focuses on the psychological and moral growth of the protagonist from youth to adulthood."  Which makes sense as becoming an adult comes with its own trials and responsibilities. In order to become an adult, one must give up childish things and assume the burdens or burden-shirt of maturity.


(8/17/14 edits for grammar and tags added)